Nigel Osborne

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Nigel Osborne

MBE
Born23 June 1948 (1948-06-23) (age 75)
Manchester, England
OccupationComposer

Nigel Osborne MBE (born 23 June 1948) is a British composer, teacher and aid worker. He served as Reid Professor of Music[1] at the University of Edinburgh and has also taught at the Hochschule für Musik, Theater und Medien Hannover. Known for his extensive charity work supporting war traumatised children using music therapy techniques, especially in the Balkans during the Bosnian War,[2][3][4] and in the Syrian conflict.[5][6] He speaks eight languages.[7]

Osborne was born in Manchester, England, to a Scottish family. He studied composition with Kenneth Leighton, Egon Wellesz, and Witold Rudziński. His compositions include the opera The Electrification of the Soviet Union,[8] Concerto for Flute and Chamber Orchestra[9] commissioned by the City of London Sinfonia, I am Goya,[10] Remembering Esenin,[11] and Birth of the Beatles Symphony.[12]

Osborne retired from his Edinburgh University position in 2012, and is now working internationally as freelance composer, arranger and aid worker. Currently working with war-traumatised children from the Russian invasion of Ukraine.[13][14]

Career[edit]

Osborne studied composition with Egon Wellesz, first pupil of Arnold Schoenberg (1968–69), also with Kenneth Leighton (his predecessor as Reid Professor of Music at the University of Edinburgh) at Oxford University (1969–70), and later in Warsaw with Witold Rudziński (1970–71) where he also he worked in the Polish Radio Experimental Studio.[15] From 1983 until 1985, while at the IRCAM in Paris, Osborne co-founded Contemporary Music Review[16] with Tod Machover. He held a special professorship at the University of Nottingham from 1978 to 1987, the Reid Chair and Dean of the Faculty of Music at Edinburgh University from 1989 to 2012, a senior professorship (C4) at the University of Hannover from 1996 to 1998 and head of faculty for the Vienna–Prague–Budapest Summer Academy (ISA) from 2007 to 2014. Currently professor emeritus at Edinburgh University, visiting professor in the drama faculty of Rijeka University and consultant to the Chinese Music Institute, Peking University.[17] He has worked as visiting lecturer and examiner also at Harvard, UCLA, CalArts, Gedai and Toho Gakuen School of Music, Oxford, the Sorbonne and Bologna.[18]

Osborne's works have been performed internationally by Vienna Symphony, Moscow Symphony Orchestra, Leningrad Philharmonic, the Philharmonia of London, Los Angeles Philharmonic, Berlin Symphony, Glyndebourne, Opera Circus, Opera Factory, Scottish Opera and the Royal Opera House.[19] He has received, among numerous awards, a Netherlands Gaudeamus prize, the Opera Prize of the Radio Sussie Romande and Ville de Geneve, and the Koussevitzky Award of the Library of Congress Washington.

In the 1980s, Osborne composed a series of classic works for choreographer Richard Alston and Ballet Rambert.[20] Master of Music at the Shakespeare's Globe (1999–2000),[21] and since 2000 has been house composer for Ulysses Theatre, Istria. Osborne has collaborated with directors Lenka Udovicki, Peter Sellars, David Pountney, Michael McCarthy and David Freeman, and with writers Samuel Beckett, Craig Raine, Eve Ensler, Jo Shapcott, Howard Barker, Ariel Dorfman, Tena Štivičić and Goran Simić, with notable actors Vanessa Redgrave, Annette Bening, Lynn Redgrave, Amanda Plummer, Rade Šerbedžija, Simon Callow, Ian McDiarmid and Janet Henfrey, also with artists and designers John Hoyland, Dick Smith, George Tsypin, David Roger, Bjanka Adzic Ursulov and Peter Mumford. Singers and soloists with whom Osborne has collaborated include pioneers of contemporary music, such as Jane Manning, Linda Hirst, Liz Lawrence and Omar Ebrahim, alongside long-standing collaborations with artists Florian Kitt, Ernst Kovacic and the Hebrides Ensemble. Osborne's film documentary credits[22] include BAFTA-winning and -nominated collaborations with director Samir Mehanović, an EMMY-winning collaboration with the BBC, and the film Dans un océan d'images with Helen Doyle and InformAction, Montreal. He has a special interest in Arabic, Indian and Chinese music.[23]

Osborne and Brian Eno leading music workshops, Pavarotti Centre, Bosnia 1995.[24]

Osborne has pioneered methods of using music and the creative arts to support children who are victims of conflict.[25] This approach was developed during the war in Bosnia-Herzegovina (1992–95), and since then this work has been implemented widely in the Balkan region,[26] the Caucasus,[27] the Middle East,[28] East Africa, South East Asia and India.[29] He was also awarded the Freedom Prize of the Peace Institute, Sarajevo, for his work for Bosnian children during the siege of the city.[30][31] Osborne has worked actively in human rights initiatives, Workers' Defence Committee in Poland (1970–89), Citizens' Forum and the Jazz Section with Václav Havel in former Czechoslovakia (1987–1989), for Syrian refugee support organisations. During the genocide[32] Osborne worked directly for the Government of Bosnia-Herzegovina. From 2012 until 2014, Osborne served as co-chair of the Global Agenda Committee for Arts in Society for the World Economic Forum.[33]

In 2004 Osborne began an artistic relationship with 'Opera Circus', a chamber opera and music theatre company based in West Dorset UK[34] during which the Bosnian sevdah opera Differences in Demolitions was produced, with Bosnian poet Goran Simić and Scottish conductor William Conway.[35] Opera Circus toured through BiH in 2017.

Osborne has been active in supporting the development of new music technologies, for example the Skoog, and is co-inventor with Paul Robertson of X-System,[36] an 'informatic modelling of the musical brain'. In December 2017 he received the British Academy of Songwriters, Composers, and Authors' (BASCA) Award for Inspiration. Osborne was awarded both the Queen's Prize and Music Industry Prize for innovation in education, and was recently made honorary fellow of the Educational Institute of Scotland. He is a director of the Scottish educational development company, Tapestry Partnership.[37]

In 2017, Osborne was commissioned by the Royal Liverpool Philharmonic Orchestra to arrange Sgt. Pepper's Lonely Hearts Club Band for the ‘It Was Fifty Years Ago Today’ concerts with the Bootleg Beatles performed to capacity crowds at the Royal Albert Hall[38] and Echo Arena Liverpool.[39][40]

Publications[edit]

Scientific and scholarly publications[edit]

Selected publications[edit]

University of York Music Press[edit]

Source:[41]

  • 2013
The Painters in my Garden for three flutes
A Prayer and Two Blessings for SATB choir
  • 2011
Botanical Studies for oboe and percussion
  • 2010
Concertino for Violin and Orchestra for solo violin and orchestra
Differences in Demolition (A sevdah opera)
I am not here for voice and piano (only available in Songs for the Twenty-First Century)
Journey to the End of the Night for oboe, percussion and electronics
SMTBarBar for soli, clarinet, percussion, violin, viola, cello, accordion and machine sounds Stargazing string quartet
  • 2009
The Birth of Naciketas guitar concertante for guitar, Indian violin, tabla, string quartet,double bass and percussion
  • 2009
Afro-Scottish for children's choir, SATB choir and jazz orchestra
Angel-Nebulae for TTTB soli
East for symphony orchestra
La Belle Hélène for three flutes (doubling alto flute and piccolo) and cello
Naturtöne / Abschied SATTBarB choir
Queens of Govan for chamber opera for mezzo soprano, recorded voices and 15 instruments
Rock Music for 12 instruments and electronic materials
7 Words, 7 Icons, 7 Cities for SATB choir (with divisi) and string orchestra
Stone Garden for 2 cellos and accordion
Tiree string quartet
Transformations for 2 solo oboe d'amore 2009 Dialogue oboe and harp
  • 2008
Concerto for Viola and Orchestra
Roma Diary for cello and piano
  • 2007
Balkan Dances and Laments for oboe, piano, violin, viola and cello
Sarajevo for clarinet, piano and cello
Transformations for 1 two violas 2007 Taw-Raw solo violin
  • 2006
The Piano Tuner for piano trio
Pulsus for CtTTBar soli and monochord
  • 2004
String Quartet No. 1 Medicinal Songs and Dances
  • 1999
Concerto for Oboe and Chamber Orchestra

Universal Edition[edit]

Source:[42]

  • Various
Adagio für Vedran Smailović[43] für Violoncello
After Night | 1977: für Gitarre | 8
Figure/Ground für Klavier solo
For a Moment für Frauenchor, Violoncello und Kandyan Drum (ad lib.) | 15
Remembering esenin für Violoncello und Klavier
  • 2013
Espionage | 2013: 3 miniature sonatas, studies in Poussin and happenstance | für Violine solo | 8
  • 1993
The Art of Fugue | 1993: für Violoncello und Instrumente | 20 2 2 2 2 – 2 2 0 0 – Schl – Str
Hommage à Panufnik | 1993: für Streichorchester | 8
  • 1992
  • Terrible Mouth | 1992 Musiktheater | 120
  • 1991
Albanian Nights | 1991: für Ensemble | 12 2 2 2 2 – 2 0 0 0
Graffiti after Cy Twombly | 1991: on the musical letters of Alfred Schlee | für Streichquartett
Schleedoyer II | 1991: für Streichquartett | 1 30
The Sun of Venice | 1991: für Orchester | 25 – 30' 3 3 3 3 – 3 3 2 1 – Schl(3) – 2 Hf, Cel, Klav – Str – 2 konzertante Gruppen
  • 1990
Canzona – Procession of Boats with Distant, Smoke, Venice | 1990: für Horn, 4 Trompeten, 4 Posaunen und Tuba | 12
Eulogy | 1990: für Kammerensemble | 8 1 1 1 1 – 1 1 1 0 – Schl, Klav, StrQuint
Tracks | 1990: für 2 gemischte Chöre, Orchester und Blasorchester | 30 4 4 5 5 – 6 4 4 1 – Pk, Schl(4), Hf, Klav, Str; 3 4 6 5 – 6 4 6 1 – Schl(6), 6 Kor, 4 Euph
Violin Concerto | 1990: für Violine und Orchester | 22 2 2 2 2 – 3 2 2 0 – Schl(3) – Hf, Klav – Str
  • 1988
Esquisse 2 | 1988: für 11 Solostreicher | 10 Vl(6), Va(2), Vc(2), Kb(1)
Stone Garden | 1988: für Kammerensemble | 15 Fl, Ob, Kl, Fg, Hr, Trp, Pos – Schl – Hf – StreichQuint
  • 1987
The Electrification of the Soviet Union | 1987: Oper in 2 Akten | 120
Esquisse 1 | 1987: für 11 Solostreicher | 7 Vl(6), Va(2), Vc(2), Kb(1)
  • 1985
Hell's Angels | 1985: Kammeroper in 2 Akten | 120 Kaufausgabe
Pornography | 1985 für Mezzosopran und Kammerensemble | 13
Zansa | 1985: für Kammerensemble | 20 1 1 1 1 – 1 1 1 0 – Schl, Klav, "Zansa" – 2 Vl, Va, Vc, Kb
  • 1984
Alba | 1984: für Mezzosopran, Kammerorchester und Tonband | 17 1 1 1 0 – 1 1 1 0 – Schl – Hf – 2 Vl, Va, Vc, Kb
Wildlife | 1984: für Kammerensemble | 20 Fl, Kl – Hr, Trp – Schl – Hf – Vl, Va, Vc, elektrischer Kb – Elektronik
  • 1983
Fantasia | 1983: für Kammerensemble | 12 1 1 1 1 – 1 0 0 0 – Klav, Vl(1), Va(1), Vc(1), Kb(1)
2. Sinfonia | 1983: für Orchester | 19 4 4 4 5 – 4 4 4 1 – Schl, Vib, Hf, Cel, Klav, T-T, Str Kaufausgabe
  • 1982
Cantata piccola | 1982 für Sopran und Streichquartett | 10
1. Sinfonia | 1982: für Orchester | 23 4 3 4 3 – 6 4 4 1 – Schl(2) – Hf – Str(16 12 10 8 6)
  • 1981
The Cage | 1981: für Tenor und Kammerensemble | 14 Afl(G), Ob, Kl, Fg, Hr, Trp – Vl, Vl, Vc
Choralis 1-2-3 | 1981-1982: für Sopran, 2 Mezzosoprane, Tenor, Bariton und Bass
Piano Sonata | 1981: für Klavier | 25
  • 1980
Concerto | 1980: für Flöte und Kammerorchester | 16 Ob(2), Hr(2), Str: Vl.I(6), Vl.II(4), Va(3), Vc(2), Kb(1)
Mythologies | 1980: für Kammerensemble | 15 Kaufausgabe
Poem without a Hero | 1980: für Sopran, Mezzosopran, Tenor, Bass und Live-Elektronik | 20
  • 1979
In Camera | 1979: für Kammerensemble | 19
Madeleine de la Ste. Baume | 1979: für Sopran und Kontrabass
Songs From a Bare Mountain | 1979: für Frauenchor | 6
Under the Eyes | 1979: für Stimme, Schlagzeug, Klavier, Oboe (auch EH) und Flöte (auch Altfl.) | 9
  • 1977
Cello Concerto | 1977: für Violoncello und Orchester | 17
I am Goya | 1977: für Bassbariton, Flöte, Oboe, Violine und Violoncello | 12
Orlando Furioso | 1977: für gemischten Chor und Bläserensemble | 35
Vienna – Zurich – Constance | 1977: für Sopran, Violine, Violoncello, 2 Klarinetten und Schlagzeug | 10
  • 1976
Passers By | 1976: für Bassblockflöte, Stimme, Violoncello, Elektronik und Bilder
  • 1975
Chansonnier | 1975: für gemischten Chor und Kammerensemble | 16
Prelude and Fugue | 1975: für Kammerensemble | 17
The Sickle | 1975: für Sopran und Orchester | 11 2 2 2 2 – 2 2 0 0 – Schl – Hf, Git – Str(6 6 4 4 2)
  • 1974
Kinderkreuzzug | 1974: für Kinderchor (Vokalisen) und Instrumentalensemble | 22
  • 1971
7 Words | 1971: Kantate | für 2 Tenöre, Bass, gemischten Chor und Orchester | 24 4 3 4 2 – 3 3 3 0 – Schl, Ondes Martenot, Hf, Sax(3), Str(4 4 4 4 2)

Reviews[edit]

Reviews by Nigel Osborne:

Filmography[edit]

  • 2018
Through Our Eyes[44] – composer
A Story of Three Islands – composer
I am Swimming – composer
  • 2015
The Fog of Srebrenica[45] – composer
  • 2014
Dans un océan d'images[46] – composer
  • 2006
The Way We Played[47] – composer
  • 2003
Les messagers[48] – composer
  • 1990
View from the Bridge – composer
  • 1988
The Electrification of the Soviet Union – composer
  • 1987
Wildlife – composer
  • 1984
The Sea of Faith (6-part documentary series) – composer

Education[edit]

BA, BMus(Oxon), DLitt, FRCM, FEIS, FRSE

Awards[edit]

Sources[edit]

Citations and references[edit]

  1. ^ Arts & Ents. (21 June 2012). 'The professor who rocked the establishment'. Herald Scotland. (United Kingdom)
  2. ^ Carmack, Elizabeth. (January 2005). "Balkans’ Summer Music Camp 2004". Cambridge Music Conference. (Puntižela/Pula, Croatia)
  3. ^ Osborne, Nigel. (24 July 2013). "Nigel Osborne – Music and Trauma". The Musical Brain 2013 Conference. YouTube.
  4. ^ Morris, Christian. (30 January 2018). 'Nigel Osborne Interview'. Composition Today.
  5. ^ Bradley, Jane. (8 December 2015). "Composer brings music to children in refugee camps". The Scotsman. (Scotland, UK).
  6. ^ "Nigel Osborne". Cambridge Music Conference, 8 December 2015. United Kingdom.
  7. ^ Bunting, Madeleine. (1 October 2008). "The riddle of the rocks". The Guardian, United Kingdom.
  8. ^ O'Mahony, John. (9 July 2002). "Notes from the underground". The Guardian, United Kingdom.
  9. ^ Osborne, Nigel. (1980). "Nigel Osborne: Concerto". Universal Edition. City of London Sinfonia, United Kingdom.
  10. ^ Osborne, Nigel. (1977). "I am Goya", Nigel Osborne (text by Andrei Voznesensky; English translation by Nigel Osborne)]. National Library of Australia.
  11. ^ Osborne, Nigel. "Nigel Osborne: Remembering Esenin". Universal Edition
  12. ^ Jones, Catherine. (14 January 2018). "Review: Celebrating Sgt Pepper Live at Echo Arena". Royal Liverpool Philharmonic Orchestra. Echo Arena. (Liverpool, England).
  13. ^ Osborne, Nigel. (23 February 2023). “I don't know why I'm angry, I'm angry, I'm angry…”. VAN Magazine.
  14. ^ Unbroken: composer uses music to help Ukrainians through trauma (requires login). (9 November 2023). Page 13: The Times
  15. ^ Błaszczyk, Bolesław. (11 February 2014). "Polish Radio Experimental Studio: A Galaxy of Writings, Prints, and Sound". (Poland)
  16. ^ "A Poetry of Reality Composing with Recorded Sound". Contemporary Music Review, 1985. (Paris, France)
  17. ^ "The Sound of Peking University Resounding through Scotland". 北京大学中国音乐学社. Douban, 19 December 2012. (Scotland and China).
  18. ^ (19 Apruk 2018). Art, War and Peace. Bournemouth University
  19. ^ Seckerson, Edward. (13 October 2004). "The Piano Tuner, Linbury Studio, Royal Opera House, London". The Independent. (United Kingdom).
  20. ^ "Richard Alston Choreochronicle". Richard Alston.
  21. ^ The Tempest (2000). Shakespeare's Globe. (London, UK).
  22. ^ Nigel Osborne, composer at IMDb
  23. ^ Colwyn Trevarthen, Maya Gratier, Nigel Osborne. "The human nature of culture and education". Wiley Online Library.
  24. ^ Nickalls, Susan. (23 July 1995). "Music, the food of love". The Independent. (United Kingdom).
  25. ^ "Lola War Child powerpoint". SlideShare.
  26. ^ "An Interview with Nigel Osborne". Voices (a world forum for Music Therapy)]
  27. ^ "History". War Child Holland.
  28. ^ "Composer brings music to children in refugee camps". The Scotsman. (Scotland)
  29. ^ "Indian classical music is powerful in therapeutic processes". The Times of India
  30. ^ "Scots composer to be honoured for peace work". Sunday Herald. (Scotland)
  31. ^ "Nigel Osborne sutra u sarajevskom 'Zvonu' ". Bosnian National Network, 28 February 2016.
  32. ^ "Nigel Osborne Interview". Composition Today.
  33. ^ "Nigel Osborne". World Economic Forum.
  34. ^ Opera Circus
  35. ^ Jeal, Erica. (12 July 2007). Differences in Demolition. The Guardian
  36. ^ "X-System: The Affect of Music" Our Team.
  37. ^ "Tapestry Partnership". (Scotland).
  38. ^ "It Was Fifty Years Ago Today – A Concert celebrating Sgt Pepper and the Summer of Love". Bootleg Beatles. Royal Albert Hall, 1 June 2017. (London, UK)
  39. ^ Osborne, Nigel. "Sgt. Pepper's Lonely Hearts Club Band 'It Was 50 Years Ago Today' ". Royal Liverpool Philharmonic Orchestra. YouTube. (England, UK).
  40. ^ Jones, Catherine. (1 June 2017). "Review: It Was 50 Years Ago Today ****". Arts City Liverpool. (United Kingdom).
  41. ^ Osborne, Nigel. "Nigel Osborne House composer". University of York Music Press
  42. ^ Osborne, Nigel. "Nigel Osborne biography". Universal Edition
  43. ^ Osborne, Nigel & Clein, Natalie. "Adagio for Vedran Smailovic". BBC Music. (United Kingdom).
  44. ^ Through Our Eyes at IMDb Edit this at Wikidata
  45. ^ The Fog of Srebrenica at IMDb Edit this at Wikidata
  46. ^ Dans un océan d'images at IMDb Edit this at Wikidata
  47. ^ The Way We Played at IMDb Edit this at Wikidata
  48. ^ Les messagers at IMDb Edit this at Wikidata

External links[edit]

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