LGBT is an initialism that stands for "lesbian, gay, bisexual, and transgender". It may refer to anyone who is non-heterosexual, non-heteroromantic, or non-cisgender, instead of exclusively to people who are lesbian, gay, bisexual, or transgender. A variant, LGBTQ, adds the letter Q for those who identify as queer (which can be synonymous with LGBT) or are questioning their sexual or gender identity. Another variation, LGBTQ+, adds a plus sign "represents those who are part of the community, but for whom LGBTQ does not accurately capture or reflect their identity". Many further variations of the acronym exist, such as LGBT+ (simplified to encompass the Q concept within the plus sign), LGBTQIA+ (adding intersex, asexual, aromantic and agender), and 2SLGBTQ+ (adding two-spirit for a term specific to Indigenous North Americans). The LGBT label is not universally agreed to by everyone that it is generally intended to include. The variations GLBT and GLBTQ rearrange the letters in the acronym. In use since the late 1980s, the initialism, as well as some of its common variants, functions as an umbrella term for marginalized sexualities and gender identities.
LGBT is an adaptation of LGB, which in the mid-to-late 1980s began to replace the term gay (or gay and lesbian) in reference to the broader LGBT community. When not inclusive of transgender people, the shorter LGB is still used. (Full article...)
Romaine Brooks (born Beatrice Romaine Goddard; May 1, 1874 – December 7, 1970) was an American painter who worked mostly in Paris and Capri. She specialized in portraiture and used a subdued tonal palette keyed to the color gray. Brooks ignored contemporary artistic trends such as Cubism and Fauvism, drawing on her own original aesthetic inspired by the works of Charles Conder, Walter Sickert, and James McNeill Whistler. Her subjects ranged from anonymous models to titled aristocrats. She is best known for her images of women in androgynous or masculine dress, including her self-portrait of 1923, which is her most widely reproduced work.
Although her family was wealthy, Brooks had an unhappy childhood after her alcoholic father abandoned the family; her mother was emotionally abusive and her brother mentally ill. By her own account, her childhood cast a shadow over her whole life. She spent several years in Italy and France as a poor art student, then inherited a fortune upon her mother's death in 1902. Wealth gave her the freedom to choose her own subjects. She often painted people close to her, such as the Italian writer and politician Gabriele D'Annunzio, the Russian dancer Ida Rubinstein, and her partner of more than 50 years, the writer Natalie Barney. (Full article...)
I hear the word 'tolerance'—that some people are trying to teach people to be tolerant of gays. I'm not satisfied with that word. I am gay, and I am not seeking to be 'tolerated'. One tolerates a toothache, rush-hour traffic, an annoying neighbor with a cluttered yard. I am not a negative to be tolerated.
... that for the 1967 television documentary CBS Reports: The Homosexuals, the network concealed the identity of one of the gay interview subjects by seating him behind a potted palm tree?
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